Unfortunately I was disappointed almost immediately. Helen is the stereotypical, vilified beautiful woman: shallow, vain and distant, to the point where she has no maternal instinct toward her less beautiful daughter. While we can understand how a child would perceive the mother who later abandoned her that way, I was offended by the way Helen laughed off her abduction by Theseus when she was a child. In this retelling, it was a harmless lark which reinforced that she was the most desirable woman in the world. Other authors have gone into detail about what happened to Helen while she was with Theseus, and it wasn't described as something someone would laugh about. It was chilling that a rape victim would be portrayed as, essentially, a narcissist.
I also took exception to the portrayal of Clytemnaestra, who comes off even before Agamemnon's treacherous attempts to murder their daughter as an unpleasant shrew- even though it's known to the reader that Agamemnon murdered her first husband. (In the original version of the story, Agamemnon also murdered her infant son.) Clytemnaestra is one of the most complicated characters in Greek mythology and because she's so important to this story deserves a closer examination.
Hermione is sympathetic for most of the book, and we admire throughout the story her assertiveness and resourcefulness. But there are enough places where she comes across as unreasonably selfish and frankly childish that she loses a little bit of rooting value. Also, knowing the myth, it was off-putting that the author only included elements that made Hermione a heroine and excluded those that didn't.
I also wasn't sure what kind of book I was reading. The tone of the book was inconsistent; while at times it felt like a Middle Grade book, it would jump at times to a very mature Young Adult, if not New Adult. (There is no explicit content, but there are clear indications of a brutal rape.) Also, as the author notes, this is a romance, in this case between Hermione and Orestes. However, the conclusion of the romance feels both forced and rushed, and after having spent 150 pages waiting for them to be reunited, the Happily Ever After is unsatisfying.
Despite these problems, I'd still recommend this for mythology fans- but only after consulting other sources of the story.
A few years ago, I wrote a novel about Hermione, "Helen's Daughter," which draws on the original sources and treats the characters somewhat differently than what you mentioned in your review. I am interested, nevertheless, to see how Ms. Meyers' version plays out.
ReplyDeleteI did suggest some resources to Ms. Meyer back in 2012 when she announced the project on her blog. I hope she found them helpful and made good use of them.
Laura Gill
Laura, I'll look for your book!
DeleteIt's available at Amazon, Smashwords, etc.
DeleteI read Beauty's Daughter to see for myself how it reads. I think the book suffered as a result of its deadline (I know there was one) and problems in the first two parts. There's no way Menelaus and Agamemnon would have allowed Hermione to stay in the Greek camp. It was no place for a girl of her station. She would have been in constant danger of attack, disease, starvation, rape, etc.
I get why she was moved there, and I thought the way she did it was kind of instructive, but why she would choose to go with her father and uncle after she what she had just witnessed did not ring true.
DeleteIphigenia wasn't even sacrificed. I can understand why an author might spare her in a YA book, but doing so takes so much punch out of the story.
DeleteWell...she wasn't the first to come up with that :-) But yeah, that anesthesizes Agamemnon and Menelaus.
DeleteIt could have happened offstage and been made effective. Hermione doesn't have to be an eyewitness to everything. In fact, her not knowing and having to wait for news might even be more exciting.
DeleteIn my review I recommended Eric Shanower's superior graphic novel series about the Trojan War: "Age of Bronze." His drawings are beautiful, and his story-telling skills amazing.
Is he as good as George O'Connor? He's the standard by which I measure Greek myth graphic novels :-)
DeleteHe's better.
ReplyDelete