But, what are Books in Conversation?
Before 2016, I used
Twitter with a frequency that made my husband raise his brows. I
live-tweeted debates; I followed the news to the point that I never
lost a Breaking News Off. I had always been exposed to the news—my
parents never thought to protect me from current events, for better
or worse, and some of my earlier memories are of my mother talking
about Carter’s inauguration, watching Carter at Camp David with
Anwar Sadat and Menachem Begin, and Reagan getting shot on live
television. And don’t get me started on the Iran Hostage Crisis. I
was better informed than most seven and eight year olds, though my
understanding was probably more age-appropriate.
I studied history in
college. I talked to people. I’d like to think my understanding
improved. Some things still didn’t make sense to me, but at this
point I think that was because they didn’t make sense, period. I
was very, very well-informed by 2016, and for more than twenty years
had been “the political one” in most circles that weren’t,
well, political. I expected Hillary Clinton to win the US
presidential election not because I wished it so, but because the
smartest people in media told me I should.
The smartest people
were wrong.
I was as devastated
as many other people by the results of the election. I didn’t
believe Trump could be as evil as he turned out to be, if only
because I thought he would be stopped. I was wrong. But I was also
angry that I had been so misled. By my reckoning, the media had told
a story that they thought should be true because it always had been
before; they saw what they wanted to see, and it wasted precious
time. (Also: “But, her emails.”)
I had already
intended to start writing my science-fantasy series, and I needed to
know a lot more than I already did to flesh out the family saga that
dealt with the aftermath of genocide. I had an ambitious amount of
reading to do, and after stumbling onto a book about recent Japanese
history, it occurred to me that my time was going to better spent
reading books for a deeper understanding than memorizing how many
children a tertiary character in an ongoing news-of-the-week story
had, or what color tie they favored. I wasn’t going to be the
person who kept track of intrigue in the presidential cabinet—boy,
would that have been a full-time job—but I was going to be the
person who understood better what was really going on.
I read more history.
It’s what I do and how I am, but I branched out into military
history and areas of the world I’d been too afraid to delve into
because they were so complex. I read less political history and
finally dived into Edward Said’s Orientalism.
That was intense! However, I’m a better person for it. I found
Ibram Kendi’s Stamped
from the Beginning and had
my mind blown every other paragraph as I read about things I thought
I already knew. I learned about Asian American history and later
South Korean sociology. I read King (the
civil rights leader, not the horror author),
Fanon, and more Said. I finally found someone who put into words my
feelings about the Syrian Civil War and reminded me that my memory
wasn’t faulty. I learned
the term “settler colonialism”, and I’ll probably never stop
shuddering.
I
read about the value of solitude and that, no, you actually don’t
want everyone to be a prodigy a la Tiger Woods. I read about the
importance of nature in our lives, and I read yet more Marie Kondo
before I read about what it really means to “collect”.
Because
of what I wanted to write, I
finally decided to read
science fiction and fantasy, even as I cringed over getting caught up
in medieval imperialist fantasies. I got started with The
Colors of Madeline, V.E.
Schwabb’s Shades of Magic
trilogy—Amazon’s
Vine Program was good for something—and then read Naomi Novik’s
standalone novels.
I branched out to N. K. Jemison’s Broken
Earth trilogy, and started feeling seen. I finally jumped into
Liu Cixin’s Remembrance
of Earth’s Past trilogy, and everything followed from there,
including Ken Liu’s amazing Dandelion
Dynasty Quartet, Fonda Lee’s Green
Bone Saga trilogy, the Nameless
Republic Series by Suyi Davies Okungbowa, the devastating
standalones of Tochi
Onyebuchi, and the Akata series by Nnedi
Okorafor. (And how can I leave out the works of Shannon
Chakraborty?) And more! I had finally found the niche I wanted to
spend a lot of time in.
Through
it all, I’ve been struggling to be the most productive, Modern
person that I can be, and believe me
when I tell you that I loved my Bullet
Journal as much as I loved Marie
Kondo. That community, as well as the artist Austin
Kleon, recommended How
to Take Smart Notes by Sonke
Ahrens, and the idea that I could do something interesting with my
nonfiction observations and book reviews beyond using the
perspectives in my fiction
began to take shape. Ahrens talked about notes beginning to
“converse” with each other to create new information, and I got
excited because it reminded me of all of the times I’d made an
off-the-wall connection between two disparate facts. I took copious
notes in my Bullet Journal—I am Team #OneNotebookToRuleThemAll—and
half-heartedly took some notes on note cards (500 isn’t that many,
is it?).
My
husband read many of these books with me, but at a certain point that
wasn’t tenable, and I didn’t have people to discuss these topics
with. I can write book reviews, but that doesn’t invite the same
kinds of conversation on my library website as I might like. I have
been thrilled to interview authors in the past, but while I’ve
enjoyed most of those writers, I wanted to put some of those people
in the same room and have them talk about specific ideas in their
books. I’m really not that persuasive, especially when the subject
matter is vastly different, and some of the authors in question are
gone. (How sad to know Edward Said isn’t here for me, since he was
the person who made me realize I hadn’t been imagining racism
everywhere I turned.) I can’t get the authors to talk to each
other, but I can—after a fashion—get the books to talk to each
other.
“In
Conversation” will hopefully not only apply to books but to
readers as well. I
desperately hope that people who have read some of these titles will
chime in—whether in the comments or their own blogs or videos—to
talk about the themes that I see and what these books meant to them.
I don’t know how we get out of this mess, but I do know that we
have to do it together, in solidarity.
At
the time of this writing,
we are seeing a degradation of the establishment news media we could
only barely imagine eight years ago. Major papers pulled endorsements
for Kamala Harris because they were betting Trump would win and they
wanted to make sure that their other businesses wouldn’t be
punished for allowing some journalistic integrity. This
is a predictable outcome of monopolization—and by predicted, I mean
people were warning of it in the 1990s, not
just the 1910s—but to see
it happen so shamelessly is still shocking.
Do
I sound smug about my reliance on books over current event coverage?
Sure, but please know that I rarely enjoy feeling superior about
anything for long. I’m an indie author, and I’ve followed
Amazon’s predations on traditional publishing. I’ve also been
aware since the 1990s that all aspects of the media landscape,
including book publishers, have been subject to consolidation. With
very few exceptions, publishers are always more powerful than their
authors; this is the way of the world, and this is why so many of us
jumped at the chance to publish independently. But when there were
twelve important publishers, authors at least had more theoretical
options. Today, there are four that are making decisions about the
vast majority of what is being read and discussed, and publishers and
editors are not making decisions in a vacuum. Those decisions are
shaping our narrative, and it is *always* worth pausing to consider
to what extent our beliefs are being actively shaped. Questioning
your own beliefs is always a good idea. I would add that reading
older books—going back at least one generation—can be one way to
diversify perspective, but again, those books were chosen by someone
as well. Another is to look
for truly independent authors, although it is much rarer to find
indie history and politics than it is indie fiction.
I
want to mention a couple of invaluable resources for helping me build
my virtual library. The selection at the New and Notable area of the
Boston Public Library at Copley should
win an award; if I’m ever hurting for reading material, I know I
can go there and find a title that I’ll be glad to have read—I
would never have found Donna
Leon’s Commissario
Brunetti Series without
them. The NoveList feature on the library website helped me find or
confirm fiction titles that enriched my life. Brooke Gladstone of On
The Media is amazing—I found the magnificent Fearing
the Black Body on one of her
shows, as well as the author Cory Doctorow, whose blog
pluralistic.net has been an
invaluable source of information. I reluctantly admit that the blog
of Austin Kleon has pointed me in the right direction more than once;
now, I hope, someone will convince Kleon to get off of Substack and
let someone else keep Nazis company. Finally, I must also admit that
Goodreads has been helpful—not because of their algorithm, but
because of the recommendations of several authors, including N.K.
Jemisin, Ken Liu and Shelley
Parker-Chan; without them, it probably wouldn’t have occurred
to me to read Consider
the Fork, Orality
and Literacy, and Women
in the Picture. I also would
not have found the podcast Gaslit
Nation, which has been a source of irreplaceable community during
this bleak moment in history.
If
any of that sounds like an endorsement for a subsidiary platform of
Amazon, it’s NOT. I’m not so grand to hope that my little project
will be the beginning of a return to a decentralized blogosphere, but
I do hope we start writing about what we’re reading and what we’re
experiencing in spaces that can’t be weaponized against us on a
whim. Let’s stop worrying about SEO—the fact that you’re not
going to make a lot of money on Facebook hasn’t stopped you from
posting there—and start talking to each other again. Who knows? A
conversation in the ether just might turn into a meaningful
relationship...one that hopefully includes discussing new ideas, and
acting on them.
I'll update this page as I post the "conversations". Thank you for your patience!
Volume 1
Deb in the City