Showing posts with label author interviews. Show all posts
Showing posts with label author interviews. Show all posts

Friday, February 15, 2019

An Interview with Lisette Brodey, Author of Hotel Obscure

One of the best parts of my job is meeting other indie authors who write stories I "believe in". And when they are professional and kind to boot, I feel like I've hit the jackpot. Lisette Brodey is one such author, and I thought her most recent book, Hotel Obscure, was one of the best collections of short stories I've ever read. I'm so grateful that she was able to take some time out of her busy schedule to talk to me about her book and her writing.


Why did you need to tell these stories?

I wrote the first story (not the first story in the book) because I was working on a YA paranormal series and I was tired of having to adhere to some of the restrictions (especially language) for a YA audience. So, while I was waiting for edits on the first book, I felt the need to write something very different.

Now that you’re asking, the first story I wrote, “To Be Perfectly Frank,” was from a decades-old idea that I had never developed. And it took place in a run-down urban hotel. I can’t even tell you if that’s why I decided to set the entire book there, but it’s very likely. (See the things you learn about your own work when doing an interview?)

Also, because I think that most of us have misconceptions/stereotypes about groups of people, no matter what the common denominator, I wanted to focus on this small population of people, bring them out of obscurity, and let their individuality shine. Too many people are hidden away in real life and categorized as someone or something very different from who they genuinely are.

You have very colorful characters in Hotel Obscure. Who, if anyone, were they inspired by?

The stories were inspired by people I know, people I see, and those voices in my head that screamed, “Write about me! Write about me!”

Sometimes, when I’m out and about, I see interesting people and I sneak photos of them. Two such photos turned into supporting characters, right down to their clothing and hair.

Some of the stories and situations are based on homeless people who I know. But in most of my work, characters, if based on anyone in particular, are always hybrids. 

https://www.amazon.com/HOTEL-OBSCURE-Collection-Short-Stories/dp/0990960676


Many of Hotel Obscure's residents lived in bleak circumstances, but there was a tinge of humor in many of the stories. Was that a conscious choice?

Absolutely. I can’t write without humor. If I wrote the darkest, bleakest story in the world, humor would probably find a way in there at some point. But I never force it. Just last night, I was watching a trailer for a film (I see a lot of movies), and I saw the character crack a joke that seemed contrived and forced. I’m noticing this more and more in films. I don’t ever want to force humor. Yes, it helps to balance out the darkness, but I’d rather stay in the dark than try to be funny for the sake of it.

On a different note, because this is a collection of seventeen themed short stories taking place in and around a run-down hotel, I purposely wanted some stories to be more lighthearted than others. I wanted to mirror real life as I see it.

I really thought you nailed the noirish underside of urban life, the one that’s the twilight zone of sparkly dreams that not only don’t come true, but sometimes even turn on the dreamer. To what extent was that mood inspired by things you might have seen working in the urban underbelly?

As I said earlier, I have seen a lot, been told a lot, and imagined a lot from what I’ve seen.

Having spent many years of my life in both New York City and Los Angeles, there’s a lot that has seeped into my brain. Before I go any further, I should say that while I am from the Philadelphia area, I never lived in the city.

In Queens, New York, I worked as a bartender at several places, so I believe that my experiences doing that brought me in contact with many kinds of people. But that’s a very tiny piece of the pie. I cannot isolate the experiences that found their way into my stories. I can only say that most everything I’ve seen has had some impact on me, whether consciously or subconsciously. I know that my years of being a people watcher (both in cities where I have lived and traveled to) has had a profound impact. I would imagine this is true for most people, whether writers or not.

Which characters stayed with you the longest?

That’s such a tough question because every single character in the book had to impact me in order to even hang around. One of my favorite characters is the one in the first-person story called “Via Dolorosa.” She (who has no name) came from a life of privilege and unapologetically tells the story of her sad journey. She’s strong and she’s content, though not necessarily happy. She’s a survivor.

The star of the last story in the book, “Ellmore J. Badget’s Most Unusual Day” is maybe my favorite character. Ellmore is a man who has survived by routine, living every day as a near carbon copy of the one before it. I loved getting to know him and seeing where his story went.

I just loved some of the names you used in HO. Are you pulling from any other works when you come up with them?

I pulled one character name from my novel Crooked Moon. It is the name of a jazz pianist who has no dialogue and is only background. In my story “First Date,” Marv Jackson is a bartender, and I make reference to the fact that he is a jazz pianist and I mention the location that was a big part of Crooked Moon.

Short stories are deceptively difficult, both to write and read, and even harder when they intertwine. What made you want to take this challenge on?

“Deceptively difficult” nails it.

While this is the first book I’ve written that is not a novel, I think the novelist in me wanted to give it the feel of a novel. I wanted to tell individual stories, but as the characters are all in the same setting, it makes sense that some of their lives would intertwine. Sometimes, I knew that a character’s story would unexpectedly (for the reader) continue, but other times, I didn’t. In fact, I’d say that some of the biggest surprises in the book were surprises to me. And those are always my favorite kind.

So, while this is not a novel, I do let readers know that the stories should be read in the order that they appear, just as chapters in a novel are. That said, I didn’t write them all this way, which meant I had to go back with a careful eye and make sure that information given in one story didn’t contradict another. That definitely added a degree of difficulty, but not a major one. And for the record, unlike some authors, I always write novels in a linear fashion.

Another reason I wanted to take on this challenge was that doing a book of short stories allowed me to work with characters and situations that piqued my interest without building an entire novel around them. But writing short stories also means that you have far less time to present your story and your character … and to get things right. Maybe it’s a slight rewiring of the writer’s brain.

Can we expect to see more short stories from you and/or more of the HO universe?

Well, my brother was a big fan of the last story, “Ellmore P. Badget’s Most Unusual Day,” and told me that the story would make a great prequel to a novel. Taking a closer look, I realized that he is right. (There’s a first time for everything.) As of right now, I have no plans to write that novel, but I can never say never.

I would, however, love to write another collection of themed short stories set in a different location. That’s in my head all the time, but I haven’t found my starting point yet. But yes, that’s something I’d very much like to do.




Lisette was born and raised in the Philadelphia area. She spent ten years in New York City, and now resides in Los Angeles.
She’s a multi-genre author of seven novels and one short story collection: Crooked Moon (General/Literary Fiction); Squalor, New Mexico (Coming-of-Age/Literary Fiction); Molly Hacker Is Too Picky! (Women's Fiction/Chick-lit), The Desert Series: Mystical High; Desert Star; and Drawn Apart (YA paranormal), Barrie Hill Reunion (Literary Fiction); and Hotel Obscure (short stories, Literary Fiction.)

In addition to her seven novels and one short story collection, two more of Lisette’s short stories are published in an anthology: Triptychs (Book 3, The Mind’s Eye Series.)

In January 2013, Lisette edited and published a book of her mother's poetry (written 50 years earlier): My Way To Anywhere by Jean Lisette Brodey.

She is currently working on a new romantic comedy. 


You can connect with Lisette on her website, Twitter, Facebook, Amazon, and Instagram.

Tuesday, February 3, 2015

That Old Black Magic (The Lizzie Hart Mysteries) by Caroline Fardig (Interview, Giveaway)

That Old Black Magic…will it put Lizzie under its spell?

Lizzie Hart hoped her first day back at work after nearly being killed would be uneventful.  No such luck.  Before she can finish her morning coffee, Lizzie and her co-workers find a dead body on the rooftop of their office.  Media vultures that they are, the Liberty Chronicle employees are psyched to have first-hand news to report.  Lizzie, however, is devastated when she realizes that the victim is her ex-boyfriend’s brother.

When evidence begins piling up against one of Lizzie’s friends, she reluctantly dons her detective hat once again, determined to find the real killer.  She’s not thrilled about chasing another psychopath around, but she’ll do anything for a friend.  Lizzie’s love life is rapidly becoming a hot mess, too.  Her latest attempt at sleuthing isn’t leaving much time for her budding romance with town hunk Blake Morgan.  Add that to the fact she’s hiding a secret so big it could rock the very core of their relationship, it’s no wonder that Lizzie’s in a tizzy. 

Poor Lizzie ends up juggling a murder investigation, a wacky Wiccan coven, and two men vying for her attention—all while nursing injuries left over from the last time she decided to play Nancy Drew.  It’s a good thing she always has a few tricks up her sleeve.

Caroline Fardig is one of my favorite authors, and believe me when I tell you that I hounded her for months to be able to read her latest release. (Spoiler alert: it's just as funny and clever as her first.) I loved it so much I subjected myself to her trademark snark to discuss it. Read the interview, read my review, and then read the book!

Is it fair to say that the intrepid Miss Hart is a little bit neurotic, maybe even controlling?

What? Neurotic? Controlling? Just because she has frequent outbursts, is always right, and feels the need to save people from themselves? I can’t believe you’d say such a thing.

I'm not going to give too much away, but Blake, the hottie Lizzie drooled over in It's Just A Little Crush, is wrapped around her finger in That Old Black Magic. Lizzie puts him through his paces in both books. Is Blake the kind of guy who likes them hard to get?

Before Lizzie, Blake didn’t have to try at all to get women to fall for him. Lizzie is a challenge, and he needs a bit of challenge in his life, since his job is total cake. Frankly, I think Blake was getting bored with the easy catch. Also, don’t forget they started out as friends, so Lizzie has one thing none of those other women had—Blake’s respect.

You went pretty hard on the occult angle! What made that something you wanted to explore, other than maybe your creepy obsession with Halloween?

Yes, I have a creepy obsession with Halloween. Guilty as charged. Honestly, I got the idea for this book when all of the vampire/fantasy novels were so ridiculously popular. I was so sick of sparkly, sexy bloodsuckers that I went the totally opposite route—how is the occult viewed in real life, small town America? It’s not accepted. The people involved are not considered sex symbols—they’re often shunned. I began playing up the funny angle of that, but as I got into researching and writing, my opinion changed. It’s not cool to make fun of someone because his or her beliefs aren’t accepted by society. I hope people will notice some real emotional transformations in certain characters as they learn that as well. Whew. That was rather deep for me, wasn’t it?

Yes, that was kind of deep and really wonderful, and at the risk of giving a spoiler, Lizzie has a great attitude about that too. When you first started writing and saw what was popular (vampires/zombies/bondage/YA/dystopian), did you ever think that you should try and tailor what you were writing to what was "hot"?

Not really. I try for my books to be as true-to-life as possible (at least in the sense that a series about a small-town copy editor getting tangled up in murder after murder isn’t too unbelievable), so none of those elements would have fit the genre. Sure, I’d love to write a smash hit, but I don’t know how to compete with sparkly vampires and billionaires with hairbrushes. 

Have you ever dabbled in the occult? (Anything from a Ouija board to joining a coven!)

I’m going to have to stop at Ouija Board. I had one as a kid, but it was just another game to me. I’m tolerant of other people’s beliefs, but I don’t personally believe in magic and ghosts and things of that sort. Different strokes.

We know Lizzie's hilarious, but I rolled over laughing when I got to the part about, ahem, crazy girls. Any real-life stories you'd like to share about that?

When I originally read this question, I was going to say “no”, because I’m pretty chill, as women go. I’m not one of those drama queens, and I generally don’t make it a habit of hanging out with them (except for my darling daughter). However, once I really started to think about it, my husband certainly dated a couple of crazy girls before he met me, and my poor little son is getting a taste of it with “dating” in middle school. My husband prefers the term “psycho hose beast”. I know several women that would fit the category, and their significant others can’t seem to get enough of them. So yeah, it’s a thing.

Let's say, roughly, Crush was about infidelity and Magic is about the occult; what is Book Three going to be about and when is it going to drop?

Wow. I have enough trouble paring down my books into a book jacket description, let alone ONE WORD! I’m going to go with phrases. Let’s say Bad Medicine a combo of “back in the saddle” and “fatal attraction”. And it’s going to drop this summer!

FATAL ATTRACTION?! More fatal than the villain in It's Just A Little Crush? Or is someone we already can't stand going to show her true psycho colors? 

Well, not that anything can be “more fatal”—it’s either fatal or it isn’t. ;) [As I was saying about the snark!] Rest assured, there’s plenty of killing and crazy going on in Bad Medicine. And I know you want more Bethany, so I’m giving it to you. You’ll see a new side of her in Bad Medicine.


Psycho coworkers going even more psycho and yet more murder? I'm sure it'll be hilarious and I can't wait!



IT’S JUST A LITTLE CRUSH:  Kindle     Nook
THAT OLD BLACK MAGIC:  Kindle     Nook
  
In honor of the release of THAT OLD BLACK MAGIC, IT’S JUST A LITTLE CRUSH will be on sale for $0.99 the first week of February!

About the Author:
CAROLINE FARDIG was born and raised in a small town in Indiana. Her working career has been rather eclectic thus far, with occupations including schoolteacher, church organist, insurance agent, funeral parlor associate, and stay-at-home mom. Finally realizing that she wants to be a writer when she grows up, Caroline is currently hard at work churning out more novels in the LIZZIE HART MYSTERIES series. She still lives in that same small town with an understanding husband, two sweet kids, two energetic dogs, and one malevolent cat.

Social Media:
Twitter  


Saturday, April 19, 2014

Oh No, I've Fallen In Love! by Louise Wise (re-release) (excerpt, interview)



On the surface, Valerie Anthrope was happy with her life. She had her own brokerage with Sunny Oak Insurance and was financially solvent. But once asleep, she was plunged into a world of nightmares that reminded her she was cursed.


And that meant she couldn’t fall in love. Ever.

Lex Kendal was a multi-millionaire. Women flocked to him, preened and flaunted for his attention. But one woman, Valerie, knocked him back. Hard. It dented his pride and Lex set out to convince himself he still ‘had it’ by pursuing her.

Only he found himself being needed in a way he never, ever, expected and, for once in his life, money wasn’t the answer.

________________________ 


Excerpt
I risked a look at the tall man sitting beside me. His golden eyes were on the road. I took a chance to observe his ruggedly textured face and noticed a small scar on his left eyebrow, and the laughter lines that fanned out from his eyes.
My eyes slid over his dark-coloured dinner jacket; his body contoured to it as though it’d melted over him. And, no matter how hard I tried to stop myself, my eyes dropped lower still towards his groin. I brought my head up, shocked at my actions, and stared straight ahead with my hands folded in my lap.
He looked askance. ‘Have I passed?’
‘At least you’ve combed your hair.’
Lex laughed.
I watched his hands as they managed the powerful car. He really was a magnificent looking man – if you liked the arrogant feral type. I sniffed, and looked away.
The restaurant was in the heart of London, close to the London Eye. The city was alive with people, music and laughter. Both manager of the restaurant and the maître d’ were there to meet us, and reminded me how influential Lex was. He was greeted with firm handshakes, and a few courteous words about Ladwick. Lex answered politely, but kept a possessive hand firmly on the small of my back. Instead of feeling annoyed, I felt cherished. It was a nice feeling.
The maître d’ showed us to a small table for two in an alcove. A bottle of champagne on ice was waiting for us, and my place was set with a red rose lying across a side plate. The maître d’ lit the candle in the centre of the table, and then uncorked the champagne bottle with a bang. My nerves evaporated - it was obvious that Lex was trying to impress me. I almost laughed; probably would have too had I not been trying not to throw up at all the over-the-top sweetness and ickiness of it all. I watched the vapour rise from the top of the green bottle, then the maître d’ filled our glasses and finally left us alone.
‘Dear God,’ I said, as a violinist serenaded a blushing woman while her partner looked on. Lex handed me my glass of champagne.
‘Just call me Lex,’ he said.
I looked back at him. He honestly thought I’d be impressed? ‘Lex, be serious, are you sure about this place?’
He looked puzzled, but then winked and said with a grin, ‘It’s where I bring the ladies.’
I remembered the kissing and the female voice on the telephone and the spear of jealousy to my stomach shocked me. Keep it light, I reminded myself.
‘Your conquests,’ I said. I’d forgotten how nice champagne was as the bubbles hit the back of my throat. ‘Tell me, Lex, do you win them all?’
He frowned. ‘Not all, no.’
It wasn’t the answer I was expecting. To hide my confusion I picked up the menu. It was one of those restaurants where there were only a few choice dishes with the prices absent. I put it down again.
‘How was Dublin?’ I asked.
He pushed the candle to one side and the shadows danced against the wall. ‘Irish. How was your day?’
‘Fine. How’d the plans go for another Ladwick there?’
‘Do we have to talk about business? I’ve been talking about Ladwick nonstop for four days now. I want to talk about you.’
‘Short conversation,’ I said and he chuckled.
‘How do you like the champagne?’
‘I can take it or leave it,’ I said.
‘You’re a hard lady to impress.’
‘Why’d you want to impress me? We’re having a casual dinner, that’s all.’
He stared at me a moment. ‘What if I don’t want it to be casual?’
‘I wouldn’t believe you. You’re the country’s latest famous bachelor and enjoying every moment.’ I picked up the menu, but then put it down again. ‘There’s a little Greek restaurant around the corner. Fancy it?’
‘I thought women liked these types of places.’
I pushed back my chair. ‘Oh, you so need to be educated!’
Lex peeled off some notes and laid them on the table, and then, giggling like kids, we dashed from the restaurant. Leaving the car where it was, we walked across the road towards a sedate little taverna. It was quiet and the gentle music of Greek ancestry played. A dark-haired waitress escorted us to a small table at the rear, and gave us both a menu.
‘This is better,’ I said.
‘You always surprise me,’ Lex said. ‘I really thought you’d have liked the Coral.’
‘Did you now?’ I peek over the top of my menu at him. ‘You don’t know me at all, Mr Kendal. You just assume you do; like you assume you understand women.’ I dropped my gaze to the words on the menu, not paying them much attention, but feeling his burning gaze on the top of my head.
‘You’re right. I’ve underestimated you. I apologise.’
I raised my eyes. His hands were clasped in front of him on the table and he was actually looking contrite. ‘I was going to wine and dine you. Impress you with my fluent French –’
‘Parlez-vous français?’
He smiled but said, ‘Oui.’
My face remained passive as I said, ‘Dites-moi que vous avez toujours Ã©té un idiot?’
He looked shocked, but then laughed. ‘Yes, I’ve always been an idiot, I guess. So you speak French too?’
‘A little,’ I said. I was smiling too, only my smile was hidden behind the menu. I didn’t want him to see me thawing – not yet. ‘So, supposing you’d impressed me by speaking French, then what?’
‘The French and champagne not enough?’
I shook my head.
‘Well, after dinner we’d have gone for a drive. It’s a nice starry evening, and what could be better than cruising along listening to Van Morrison? ’
‘You made up a CD especially, didn’t you?’
He pulled a rueful face, and I laughed.
‘So where would you have taken me on the drive?’
‘A place where we could walk along the Thames just by ourselves; it’d be beautiful watching the silver moon dance on the surface. I’d have taken your hand…’
‘Yes?’ My heart was thumping; the menu – my guard - was lowering from my face.
‘Kissed each one of your fingers, and told you how beautiful you looked.’ His honey-coloured eyes were watching me intently. ‘I’d lean in, you’d lean in and we’d kiss. Gently. Softly. You’d look shocked, maybe embarrassed, and then I’d say, let’s walk. And we’d walk along the river bank. My coat around your shoulders. We’d hold hands, you’d relax. Then, beneath the moon, I’d stop, pull you against me and kiss you again. This time you wouldn’t be embarrassed.’
I couldn’t believe this. He was doing it again!
‘Did you have lessons?’ I asked, breathless.
‘Lessons?’
‘In seduction.’
His mouth twitched. He sat back, and picked up the menu. ‘Admit it, Velvet, you were falling for it.’
Insufferable, but correct, man. He was good, I’d give him that. Playboy at his best. I’d have to stay alert. Maybe I shouldn’t drink anything alcoholic tonight. Just in case.
Ooh, they had cocktails! I love cocktails. I snatched up the cocktail menu and, yep, they had my favourite – Fuzzy Navel.
One wouldn’t hurt.
________________________
Author Interview

DNK: You originally entitled your book "The Fall of the Misanthrope". How do you define misanthrope?

LW: A misanthrope is a pessimist, a cynic and someone who doesn’t get on with others. She, Valerie Anthrope, is the misanthrope. She doesn’t cope well in groups of people, but the title conjured up literary or ‘serious’ and the book is anything but, so a title change had to be done and Oh no, I’ve Fallen in Love! sums up Valerie’s dilemma perfectly.

DNK: You describe your book as dark, and others have described it as "funny" (although maybe darkly so) and having a bit of "magical realism". That's a lot in one book! What motivated you to write that kind of story?

LW: I like realism and as you know life has a habit of being funny. There is dark in the book and that’s down to Valerie’s realisation that her behaviour is due to her being depressed, but because the book is a romantic comedy I’ve written it in a fun and chatty way, but by no means am I laughing at the illness. Depression is a serious condition and very misunderstood, as is Valerie.

I’m not sure what the motivation was, I’d like to say I was doing it for the depressive society (is there one?) but I’d be lying. I just wanted Valerie to be as damaged as she possibly could be.

The magical element is a matter of what the reader will take from the story. It is magical or a coincidence? I’ve left that up to the reader to decided and going by reviews, they’ve decided on the magical element.

DNK: Not to give too much away, but mental illness is a theme in this novel. How difficult was it to write from the point of view of someone suffering from that?

LW: I work in medicine (pharmaceutical) so was able to research the drugs well. Also, mental illness seems to run in our family. I have members of my (not immediate) family who have all suffered, but  all find the illness an embarrassment. It’s something to hide from and never admit to, just like Valerie. So in answer to your question, I didn’t really find it difficult, in fact I think it’d be easy to switch off, withdraw and allow the world to pass me by so I could ‘get into character’ very easily. Maybe I’ve the depressive trait…? Personally, I don’t think there is enough being done to treat the illness. It’s far more common than anyone thinks.

DNK: Money is a bit of a theme here too, particularly the ways in which can protect us (to a point). What made you write along those lines?

LW: In chick lit it’s usually the rich man helping out the poor defenceless female. I wanted them equal but still have that ‘typical’ theme. Lex was rich and Valerie, although not poor, wasn’t as well off as Lex. And in the end, Lex’s money couldn’t help Valerie. It’d protected him all through his life, from childhood (expensive schools) to opening doors at work and climbing the ladder to where he is now as a director at Ladwicks, until it couldn’t protect him from the devastation of love.

DNK: What can you say about another theme: not growing up?

LW: [Lex] was a rich kid and grew into a rich adult. Spoilt rotten and treated women like fine clothes (to be worn and discarded for something new).

DNK: Isn't there an extent to which Valerie is also trapped by her childhood?

LW: She is trapped. By her upbringing, her memories and her own perception of this 'curse' that she thinks she has. It's all a bit tragic really, but she sees no way out and Ellen is truly her fairy godmother by realising in time that Valerie needs professional help. I think we could all do with an interfering friend from time to time!

DNK: What are you hoping people walk away with after they read this story?

LW: I want them to walk away wondering about the so-called magical element at the end of the book. Was it something paranormal/magical going on, or pure coincidence? And then I'd like them to take away that mental illness isn't all about tortured people sectioned in institutions, but everyday people like you and I.
________________________

Purchase Links


________________________

Married, with four children, Louise Wise lives in England. She is a pharmacist technician by day and a writer by night. She was educated in an ordinary state school and left without achieving much in the way of qualifications; you could say she was the result of a crap school. Hungry for knowledge she enrolled in an Adult Education centre and studied English, maths and creative writing. Whereas other young girls asked for makeup and clothes for their birthdays, she asked for encyclopaedias!

Louise Wise used her general love of romantic fiction and interest in astronomy to write her first book. The book received many rejections stating the novel was too original for the current market, until finally, an agent took the book on but subsequently failed to find a publisher for it. Instead of becoming despondent, it made Louise realise that becoming a published writer WAS possible. She turned her back on traditionally publishing, threw herself into the indie world and went on to publish her first chick lit book, A Proper Charlie and then Oh no, I’ve Fallen in Love!

As for the ‘too original’ Eden it has been such a hit that Louise has now followed it up with the sequel, Hunted. So far, they are both selling well.

Monday, December 9, 2013

An interview with author Elle Chardou, prolific and thoughtful author of erotic romance


I have been dying to interview Elle Chardou since I read her book Killing Time. I had a feeling that she would have a lot to say about erotic romance, wealth and the New Adult category, and I was not disappointed. She also managed to throw in some deep thoughts about violence against women, what we can really expect from romance and writing beyond "what we know".

Sit back folks; this one's really good.


Elle Chardou

You’re a prolific writer! I read the first book of your Ties That Bind series, but you’ve written a bunch of other novels and novellas. Please tell us more.

I love to explore every subject when I write. When I did the Ties That Bind series, those type of trilogies were all the rage. It was modestly successful and I still have readers who tell me that series changed their life. I did a lot of research and I wanted to explore that type of community but at the same time, I also wanted something extra involved and that is how the series morphed into a murder mystery with suspense and the addition of BDSM and the community itself. 

They are a closed off community and don't really talk to outsiders so my whole job was finding out what made them tick, what kind of psychological personality is drawn to this life style and furthermore, what makes the whole bondage/domination and sadist/masochist dynamics in a relationship work. How does it work and can it be sustained long term? That was the question I kept asking myself throughout the series.

With the understanding that choosing a favorite novel is as difficult as choosing a favorite child, which novel did you enjoy writing the most?

Out From Under, which is the first part of The Lovers Duet and written under my Selene Chardou persona. I initially created a second pen name because I wanted her to be my New Adult voice, if you like. She kind of has morphed  into a whole personality of her own and she's proven much more positive than my Elle Chardou persona. 

I can only say that when I wrote Out From Under, it was the combination of romance and suspense, the rock star world clashing with the violent world of Motorcycle Clubs that made it very interesting and it is still one of my favorite novels to this day. The whole duet is a favorite and I love the couple so much, I decided to an epilogue, which will be a full length story and will premiere late summer of 2014. 

In general I think it's easier on a writer to "write what you know". So I've got to ask: do you lead a secret life as a dominatrix who tours with a band when you're not zipping around in a motorcycle club? If you're not, how are you delving into these worlds? And what other communities and subcultures have you explored for your work?  

I would rather stretch myself as a writer to beyond what I know and write about people I would never meet and worlds I will never be a part of. The joy is I get the chance to do it but the challenge is entering these worlds and writing about them without judgment but as the character(s) I am when I approach a project. If I can nail it down and do it right then that is a huge pat on the back. I blame myself for being a Gemini. It's made me have a split personality and I am always curious about how other people live. I guess I was hardwired that way. 

Sociology and psychology were favorite subjects of mine because I enjoy getting into someone else's mindset and I also enjoy exploring parts of society which are completely and unequivocally different than my own.

How did you start writing erotica?

I didn't intentionally plan to start writing erotica and the truth remains outside of The Ties That Bind Trilogy, most of my novels would be considered erotic romance. The plot is definitely the most important thing to me outside of character development and although there are sexy times in all my novels, I try to limit them to maybe three or four occasions (usually no more than five). I don't ever want someone to complain my novels are just sex and I believe less is more. You can make a novel very sexy without the characters going at it every five minutes. (Interviewer's note: since I have had readers tell me that they wanted to hit their heads on desks after one too many plotless books filled with scene after scene of explicit sex, I agree!)

How has erotic romance changed over the last few decades? I feel like it used to be used more as a tool to tell the story; now in many ways it *is* the story.

That is the problem I have with a lot of erotica and erotic romance in general. I don't want sex to be the story. It is a vehicle I use to show how close a couple has become and how they respond to one another, but I also believe there should be a solid plot that the reader can become engrossed and really be reeled in by. Sex is a facet of my novels but it is *never* the center of my novels.

The Flavor of the Month in erotic romance seems to be Bondage, Domination, Sadism and Masochism (BDSM). For me, the interesting question that those themes present is one of consent. How do you straddle the line between writing about inflicting pain and not writing about sexual assault?

It's easy because as a woman, and knowing the statistics of how many women actually report sexual assault versus how many women are sexually assaulted in their lifetime is skewed. I have been the victim of sexual assault and I have no wish to explore that in my work. I understand the need for dark erotica (ie: when dubious consent by the female is given in terms of sex) but I won't write it myself. I think a woman should always have the ability to say "no" to sex, whether it involves an acquaintance or whether she is in a relationship. I will never explore dubious consent in my work because I find no joy in writing about a woman who has been "tricked" into having sex and/or having he body violated as a means of sexual titillation for the reader.

There are authors who do this kind of work quite well and I will leave it up to them to explore the dark side of sexuality. It's just not for me. 

Your romantic interest in Killing Time, in addition to being a BDSM “leader”, is also fabulously wealthy. What is about super-wealthy heroes these days? And I don’t just mean in BDSM.

I think it is a fantasy for most women to be swept off their feet by an alpha male who happens to have money. Even books that aren't about BDSM but a man and a woman, you notice how most of the men tend to be wealthy and have money. I flipped the tables on this whole notion with my One More Night Trilogy. The heroine is a Norwegian heiress who will inherit billions from the empire her grandfather and mother created. She falls for a rock star and although he has lots of money, the amount she has dwarfs what he is worth.

With so many women working and many of them earning more than their husbands, I thought this would be an interesting theme to explore. It is true, these women aren't heiresses but how does a man handle the situation when his wife has a net worth more than his? It causes problems but you don't get to see it until after their happily ever after and when I write about each character in the band in Scarlet Fever Series. Rock My Heart continues the journey of Kasper "Kaz" Gillian and Sydney "Syd" Landvik and that is when they start to run into issues. I think the story is realistic because during the trilogy, they weren't given any real trials and tribulations but they were in Rock My Heart

Killing Time has a couple of interesting family dynamics: Aurelie is trying to find her sister Tresor’s killer, but to do that she has to get to know Tresor’s lover Rory and his twin brother Severin. Meanwhile, she’s already connected to the twins through her fiance Grey and his brother Jason. With all of the sibling pairs, it’s hard to tell at times whether they’re working for or against each other. Was that a conscious choice on your part?

Yes, it was because I wanted the reader to see how she becomes so involved in this whole world of deviant behavior, or what she considers deviant, she almost loses sight as to what brought her in this whole world in the first place and that was to find out who murdered her sister. The whole Trilogy is my Clockwork Orange if you like. It is meant to be a mind screw and play with the reader. 

I wanted the reader to leave the series thinking how far they would go to find out who murdered a family member and if they could be as bold and fearless as this woman who thought she had everything under control only to lose that dynamic and be under the control of someone else. Throughout the whole series, I wanted the reader to see how much of a backbone Aurelie has and how she continues to be a strong woman, even when she think she has surrendered all her power. Killing Me Softly was my favorite novel to write in the series because I love how she takes back her power and decides if she is going to live this life style, it will be under her terms and no one else's, not even the man who becomes her husband.

A number of your titles are marketed as New Adult, which I think is starting to mean different things to different people. What does it mean to you?

To me, it only has to do with the age of the characters. The Ties That Bind Trilogy deals with characters in their 30s. The next two novels I am writing (Deadly Seduction, which comes out on Dec. 23rd and Love TKO, which premieres in early February of 2014 are both contemporary romances with romantic suspense elements) and neither are marketed as New Adult because all the characters are older than 25. 

I do like New Adult and think it is a great genre but at the same time, I would like to explore characters who are a little older and have lived life. I will be putting out some NA titles in 2014 but at the same time, I want to remain the same dynamic writer who can write about characters of all ages and I don't just want to be known as an NA writer because at this point, I'm not sure if it's a fad or will be a long lasting category.

All the stories are so similar right now, it just seems the characters' names change but it always seems to be about a broken woman and a broken man and how they "heal" one another. I come from the school of thought that we cannot change people. True change can only happen from within and so I avoid this whole line of thinking at all costs. My characters aren't about changing one another but how a relationship can make it possible for a person to self-analyze what is wrong with them and want to become a better person for their partner.

I don't like the theme of someone fixing someone else because it isn't realistic. Yes, it's fiction but the only way we, as human beings, change is if we want to be better. Not for someone else but because we truly want to be a better person for our own health. That radiates to the people around us but no one can heal us. We have the ability to heal and change ourselves but not anyone else. 

Thank you so much for chatting with me!


When I called Elle prolific, I wasn't exaggerating. Here's just a sampling of what she's written- so far!

The Lovers Duet
Out From Under
In Too Deep 

The One More Night Trilogy

The Scarlet Fever Series
Rock My Heart 

The Ties That Bind Trilogy


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